Framing, often overlooked, is an integral part of the journey of a photograph.
A photograph never really comes to life until it’s properly printer and framed or mounted, they do not belong on your phone or your hard drive, it’s a physical medium…print your pictures!!!
In this article we’re going to look at framing, the what to and the what not to do.
I have seen wonderful images brought to life or stifled, depending on how they were framed.
We’ll also explore the importance of frame and mat sizing, the color of the frame relative to the piece, and the placing of a picture within a room.
It’s very complex and entirely specific to the context in which it is placed in your house, but hopefully when looking at the examples I give, you’ll start to see the difference between the good the bad and the ugly.
The Importance of Frame and Mat Sizing
Choosing the correct size for both the frame and the mat is fundamental. Frames provide structure and support to the artwork, while mats offer a buffer of space that can elevate the viewing experience.
Size matters greatly when considering the balance between the artwork, the frame, and the wall it adorns.
Proportion and Balance
The frame should neither overwhelm the artwork nor shrink it.
When a frame is too large, the piece can be dwarfed by it, losing its visual presence.
Conversely, a frame that is too small may leave the artwork feeling cramped or incomplete, as though it lacks the space to breathe.
Proper proportions in framing guide the viewer’s eye naturally toward the subject, allowing the picture to dominate, while the frame subtly supports.
The first three examples here work as they maintain a balance between the amount of black and white in the frame, the mount and picture.
I find the second image to be a bit boring however because the mat and the frame are the same size, so there’s no rhythm to the piece.
In the fourth image however the balance is lost, the mat is now too small and the size of it relative to the frame is incorrect.
A mat that is too narrow might cause the image to feel crowded, while a mat that is too wide can make the artwork appear lost within an expanse of space. A standard mat width of 2-4 inches typically works well, but this depends on the scale of the piece. In larger works, the mat can afford to be wider without overwhelming the image.
Now examine this colour landscape photograph.
Image one works well. The image is landscape and the width of the mat helps pull the eye from side to side, which compliments the rhythm of the landscape. You want the viewer to look from left to right, and this contrast in size aids that.
The next image however doesn’t work for the opposite reason. The top of the image feels cramped and the viewers eye is pulled to the top of the image, rather than examining it from left to right.
This last image works, the uniform mat size compliments the image without detracting from it.
Adding Depth and Focus
A well-chosen mat can add depth to a piece, drawing the viewer’s eye inward toward the artwork. This added layer of separation between the image and the frame provides a subtle transition, creating a sense of formality.
The mat, particularly in photography, can act as a neutral ground between the work and its surroundings, focusing attention on the piece itself.
The Colour of the Frame Relative to the Artwork
While the size of the frame is crucial, its color and texture are no less important. The frame should never compete with the artwork but rather enhance it, creating a harmonious relationship between the two.
Choosing the right frame color is an art in itself, and it requires thoughtful consideration of the artwork’s tone, style, and subject.
Neutral Frames
Neutral frames, such as black, white, or natural wood, are often a safe choice. A black frame, for instance, can lend a modern, minimalist feel to a piece, especially for black-and-white photographs or contemporary art.
White frames, on the other hand, provide a clean, unintrusive backdrop that allows the artwork to shine. These are particularly useful for colorful or vibrant pieces, as they ensure the frame does not detract from the energy of the image.
The black frame with the with mat frames the image and contains it without distracting the viewer. The eye stays within the frame and is free to observe the image, moving across it without distraction.
As always, context and the image itself are key, here a neutral frame with visible woodgrain looks terrible against the high contrast black and white photograph.
The white also doesn’t work here, our eyes are drawn to the lightest part of any picture, here the white of the frame and matt overwhelms the periphery and the frame and mat are competing with the image for attention.
This gold frame again competes for the viewers attention and pulls the eye away from the image.
This thicker black frame works well, the edge detail acts as a frame within a frame and keeps the viewers eye from wandering.
This brown frame with a gold edge feels to ornate. The whole image becomes too busy. Action in the picture, bright white mat, gold edge and brown frame. There is too much going on.
Complementary and Contrasting Colours
More daring choices involve frames that complement or contrast with the colors within the artwork. For example, a dark mahogany frame can accentuate the warmth of an oil painting, while a silver or gold frame can bring out luminous highlights in the artwork. However, caution is required. Too bold a frame can become distracting, pulling focus away from the image rather than enhancing it.
This frame works, the browns of the frame compliment the brown tones in the image.
This frame creates a distraction as the layers of the frame are too lively. The undulations in the wood are too ornate for this picture and create a distraction in the viewers periphery. The purpose of the image is simple, it’s the couples interaction, particularly the brides laugh that is most important. The frame and the mount should compliment this and help the eye zero in on that. This frame is too busy.
Contrasting frame colors can also work in more contemporary settings. A bright, playful print might benefit from a contrasting colored frame to create an exciting dynamic. However, the key is always balance. The frame should provide a counterpoint without overwhelming the picture.
Placing the Artwork Within a Room
Where and how a piece is placed within a room is the final step in the art of framing and display. The space that surrounds an artwork can influence how it is perceived, and the frame plays a key role in integrating the piece into the room’s design.
Height and Spacing
Traditionally, artwork is hung at eye level, where the center of the piece sits about 57-60 inches from the floor. However, this can be adjusted depending on the room’s layout and the purpose of the piece.
Larger artworks can be hung higher to fill a taller wall space, while smaller works may sit comfortably at or slightly below eye level in more intimate settings, such as hallways or above furniture.
The space around the artwork is also crucial. If hung too closely to other pieces or furniture, the artwork might feel cluttered. Allowing enough space between the framed work and its surroundings ensures that it remains the focal point, unobstructed by visual noise.
Integration with Interior Design
The relationship between the frame, artwork, and interior design is a delicate one. The frame acts as a bridge between the artwork and its environment, making placement and color selection critical.
In a room dominated by natural materials, a wooden frame may tie the artwork to its surroundings, creating cohesion. In more modern interiors, sleek metallic or monochrome frames can provide a visual link between contemporary furniture and the art.
Additionally, consider lighting. Proper illumination can transform a piece, highlighting its depth, texture, and color. Natural light enhances artwork during the day, but strategically placed artificial lighting, such as spotlights or picture lights, can elevate a work at any time.